Her name is Melissa McCarthy and his cover blown, totally and once and for all. E 'was partially burned in 2011 with his starring role in "Bridesmaids", who ensured that he would never be able to sneak up and surprise the audience with their specific (and funny) scene sets stealing skills. Now, the work ends with the arrival of ridiculous Spoofy "Spy's Kid".
After a series of "Bridesmaids" two left after confirmation and maintain the belief clear that Hollywood film itself could not carry, McCarthy again returns to the work of "Bridesmaids" and "Heat" director Paul Feig has demonstrated here that she is more than a star of the previous title.
Of course, she could not look the part of a Hollywood leading lady traditional. In fact, it is widely and reports of pumpkin (his words) in its stripes favor in recent years, sometimes with more dignity than others. But the "Spy's Kid" clarifies that the ribs and charm to do the same, and then some. The result is an entertaining and pleasurable romp full of laughter under the leadership of Mrs McCarthy generated exceeds all expectations title inexplicably empty.
Strictly from the point of view of joke-writing, the film Feig not necessarily innovative things. Broad, slapstick-prone Spy's Kid parodies are a dime a dozen, after all, and the script is Feig, who wrote many of the same places, Family visited by the forefathers of the genre. The difference here is the tone of a scene very open 007 provides a real, the real plot. What it is not deep or heavy, yes, but more than garden variety Kid provides a spy spoof. It is, in other words, more than any fat girl version of the original "Austin Powers" and "Get Smart" movie.
In the McCarthy plays a CIA desk jockey who support the "real" actors Jude Law as interpreted by smoking (he had an almost convincing American accent). While he is busy dodging automatic weapons and armies without paralyzing the whole effort accomplices frown, his voice is important to feed intelligence agency broadcast via the headset.
But when the identity of the key players in Langley affected by armed secret writer (Rose Byrne) with nuclear weapons stolen and plans to sell to the highest bidder, it is clear that only a completely unknown agent can work to do. Guess who gets the job. Along the way, Feig and create the best commercial use of an ensemble that also supports sincere Bobby Cannavale, Alison Janney, Miranda Hart and newcomer Jason Statham deadpan hilarious scene thief fantastic movie.
In fact, the entire configuration is pretty standard stuff Kid spy comedy. But it does not take long for the hidden subversive "Spy's Kid" to distinguish themselves. Hollywood has been trained in a series of gags about the importance of McCarthy expects puts it right in the butt of jokes. But Feig used other, more progressive and improving the stickiness here, take the public's expectations and put them in your ear.
It turns out that the much underrated McCarthy is a field motion Cracker Jack - a butt kicker, and the name of the contractor does not bumble their way through their actions or based on pure luck. Rather, it is a catalyst character: She makes things happen through his humor, wit and skill.
Do not be too arrogant to suggest something, it should be noted that on the road "Spy's Kid" has lots of low fuel that the mood of many Seth Rogen and Will Ferrell film fraternity-boy. The difference here is that the laughter is not dependent on the fatty. By the time the credits roll, the character McCarthy built up, not destroyed - and encouragement, do not laugh. It probably does not come as a surprise, given the control Feig. Considering the success of "Bridesmaids" which has become one of the fiercest defenders of women fun of Hollywood. (Here. "Ghostbusters" their all-girls)
With the "Spy's Kids", he said that he and McCarthy has done it again. In the process, the film with its potential series serve to James Bond, Jason Bourne and his people careless announcement that a new kid on the spy game on the big screen. What is more, has a license to kill both in terms of secret agent from the point of comedy.